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"In this body of work I returned to the activity of pouring paint on the flat surfaces as a way of establishing loosely organized networks of line and shape as a starting point, something to react to.
More recently, I’ve allowed for more ‘slippage’ – leaving things in a more raw, less refined state ... I need color, shape and surface to arrive at a certain level of complexity that is satisfying and balanced – ideally, the viewer can engage with the work over an extended period of time, though multiple points of entry."
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